Out of curiosity, is this your sole source of sharpening for the full composition? I realized I had my tonemapper sharpening still at a (relatively low) value, and not sure if I should use small values for the combo or just go straight one way or the other. It’s possible that it’d be more efficient to reserve all sharpening to a single dedicated pass, but I can also see the value in potentially doing mild sharpening at separate stages.
(I’m currently debugging a bunch of engine-side changes I made, so I can’t just launch and test it, was just wondering in the interim).