I appreciate the ‘clues’ and ‘hints’, but, Well. months later I’m not one tiny step closer…
Looks like I have a ‘dynamically generated character’ so all the stuff above, sending me looking for ‘physics’ entries in BP details panels (there were none after days of searching) was just taking me in the wrong direction.
Unfortunately that makes it even harder for a BLUEPRINT Newbie ((I have been doing Media, FX and CGI creation/animation for 25 years, NOT a Newbie Newbie)) .
I’m just going to have to release as ‘early access’ WITH the INSTANT STOP from Fast Flying, and maybe, before my reputation is completely destroyed, some blueprint guru out there will like the game enough and want to experience my gigantic detailed world to actually take a look at the blueprint and spend 3 minutes editing it.
Unlike our ideals in Ready Player One, people hare are not very,… collaborative, they could have credit in games, even percentage of profit for 5 minutes work, and never any takers. It’s downright bizarre, and I think more to do with ego, than forward thinking.)
After working in 3D Studio since release 1 for DOS, I’m quite sure I can do THOUSANDS of things in 3ds Max and MAYA that Blueprint coders per se, could not even imagine how to do, certainly not as fast or as well as I do, in Character animation. I have written books.about generating ultra efficient but Artistic believable performances. Want a copy? it’s called: ‘LIVE TAKE: Artistic Performance Capture in 3ds Max & Maya’
If you would charge (assuming none of the $30,000 of assets I listed above are of any interest) how much would you charge to make ONE CHANGE to my project/BP, (to glide along walls in proximity instead of STOPPING Instantly)?
I had thought with VRAY in Unreal Beta, the thousands of highly complex but light EVERMOTION Objects, Interiors and Exteriors would be much more enticing, now that they can be saved as FBX, imported to Unreal and basically press play…